Chief Photographer, The Salt Lake Tribune. On staff since 1995. Previously worked at the Daily Herald (Provo, 1988-1990) and Contra Costa Sun (Lafayette, CA, 1991-1995).
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Really well done and a fascinating story, thanks for sharing. — Erin Hooley on Damon Conrow
Lennie! good vantage point for the fireworks, glad you are posting here. — Maegan Burr on End of fireworks season
Nice frame, I didn’t shoot any fireworks this year. — scott winterton on End of fireworks season
….. anybody that shoots till their camera dies is deserving of some coins! ….. Plus I just had to break the string of comments with smiley faces in em. — Scott Sommerdorf on More from the Water Balloon Fight
Loving the bottom one. Reminds me of this Cartier-Bresson that’s one of my faves – http://theonlinephotographer.t ypepad.com/.a/6a00df351e888f88 340120a6e6503f970b-popup I’m dubbing it a Terry-Bresson . Regardless of my comparison, it’s sweet. — Erik Daenitz on Week
Very nice floating pic. So for how long have you been painting your toe nails? — Doug Pizac on Toe Float
Yeah, that’s the only reason I like it, and the right side of the frame ruins it…{grumble} — Patrick Smith on Right Now: Salty Sunset
cliche’ schmiche’ ….. it’s gorgeous. Love the evenly-spaced people on the shoreline. — Scott Sommerdorf on Right Now: Salty Sunset
I was at a workshop in 1982 put on by the San Jose Mercury News and the speaker who is a great photographer stated that from time to time one comes across cliches, but if you haven’t taken this type of cliche photo before, then for you its not a cliche. However next time things will be different. Hey, cliche or not, if you don’t shoot it, you don’t have the option to discard it. Nice photo! — Garry Bryant on Right Now: Salty Sunset
Awesome. Can’t wait to see it. Like I told Trevor, you might want to take advantage of a free listing here: The Independent Photo Book — Trent Nelson on EZRA: vol. 1 issue. 1
Awesome! Ordered mine this morning. You might want to take advantage of a free listing here: The Independent Photo Book — Trent Nelson on LCZ #4